Getting Started
Choose a realistic route and finish a first month.
Best when instrument choice, expectations, or too many possible first steps are the problem.
Open the Getting Started pathSix connected paths take you from choosing a practical start to reading, counting, hearing, combining, and practising musical ideas.
Getting Started
Best when instrument choice, expectations, or too many possible first steps are the problem.
Open the Getting Started pathReading Music
Best when the staff, clefs, note values, rests, or time signatures interrupt playing.
Open the Reading Music pathRhythm & Timing
Best when counting, tempo drift, subdivisions, or the metronome cause trouble.
Open the Rhythm & Timing pathNotes, Scales & Chords
Best when theory terms feel isolated or chord and scale formulas lack an audible purpose.
Open the pitch and harmony pathEar Training
Best when you want to match pitch, copy patterns, or hear direction and distance more reliably.
Open the Ear Training pathPractice Skills
Best when sessions become unfocused, mistakes repeat, or motivation is the only trigger.
Open the Practice Skills pathStart with the blockage that affects today’s playing. Use this sequence only when you do not yet know which blockage matters.
Check the pulse and beat grouping before blaming note reading.
Work on rhythm and timingRead from landmarks and interval direction instead of decoding every note alone.
Work on reading musicShrink the target, slow it down, and require correct repetitions before adding speed.
Work on practice structure